The Crow Man of Bath: A Free Short Story Lesson Plan for B1–B2 English Learners

Gerald Coombe has spent thirty years being the most overlooked man in Bath. Then one wet October morning, an injured crow changes everything.

At first, it’s just a curiosity — a bottle cap, a button, a few coins left on the doorstep as thanks for a piece of toast. But as more and more crows arrive, drawn by Gerald’s daily reward system, the “harmless game” grows into something the city of Bath can no longer ignore — and something Gerald finds he doesn’t want to give up.

The Crow Man of Bath is an original short story from the Fantastic Tales series, in the same tradition as Roald Dahl and the old EC Comics: it starts funny, but it doesn’t stay that way.

New for July 2026, this complete lesson plan gives you everything you need to teach the story in class, including:

  • The full story, plus a sectioned version with reading comprehension questions after every scene

  • A standalone comprehension question bank (41 questions), all with model answers

  • Essential vocabulary, synonyms, antonyms, words and meanings, and a gap fill exercise

  • Discussion questions, a role play activity, and a full structured debate

  • Five writing prompts

  • Complete answer keys for every exercise

Suitable for B1–B2 (Intermediate to Upper-Intermediate) learners.

Watch the video below and listen as the story is read aloud. Pause after each section to answer the reading comprehension questions or discuss the story with your class.

The Crow Man of Bath

Gerald Coombe was not a man people noticed.

He was an accountant — a good one, careful with numbers, careless with everything else. For thirty years he had balanced other people’s money and gone home each evening to the house he still shared with his elderly mother in Bear Flat, a quiet, unremarkable suburb south of the city centre, where nothing much happened and nobody really noticed him.

Each morning he caught the bus into town, sharing it with the same handful of regulars — among them a cluster of schoolboys who had long ago worked out that Gerald was an easy target. They called him names he pretended not to hear and made a show of it whenever he sat near them.

Gerald always took a seat near the front and stared straight ahead until his stop came.

He had been to The Bear, the pub at the end of his own street, exactly once — invited years ago by a colleague who had since forgotten he existed.

He remembered the laughter more than the evening itself: someone asking, not unkindly, if he needed a box to stand on to reach the bar. He had laughed along with all the pub regulars at the time. But he had never gone back.

Every morning, rain or shine, Gerald ate his breakfast at the back window overlooking his mother’s small garden and the backs of other people’s homes.

It was the one part of his day he actually enjoyed — before the bus, before the office, before anyone had the chance to notice him and decide what to make of him.

Bear Flat woke slowly around him: the bin men, a milk float that still did the rounds twice a week, shop and business owners unlocking doors for the day ahead.

One wet Tuesday in October, Gerald noticed something hopping awkwardly in the garden below. A crow — young, bedraggled, dragging one wing.

He broke off a piece of toast and dropped it down into the garden.

The bird looked up at him with one bright, assessing eye, then gobbled up the bread.

It came back the next morning. And the next.

Gerald began saving scraps for it. He named it Penny, which he thought was rather clever for an accountant.

Then, one morning, Penny arrived with something in her beak — not food, but a bottle cap, which she dropped neatly on the doorstep before looking up at him expectantly.

Gerald laughed and gave her a biscuit anyway. The next day it was a button. Then a hair clip.

Each time, a small reward.

It took Penny less than a fortnight to understand the arrangement properly.

She began bringing coins.

A penny first — Gerald found this enormously funny — then a two-pence piece, then, astonishingly, a pound coin, still damp from some gutter or drain.

Gerald began keeping a jar. He told himself it was a harmless game, a curiosity, something to mention at the office if anyone ever asked him anything at all.

Then Penny brought a friend.

Within a month, there were a dozen crows waiting outside in the garden each morning, each with some small offering.

Within two months, there were closer to forty.

Gerald’s jar became jars. He started coming home from work not to make tea, but to count.

The Evening Chronicle found out first — THE CROW MAN OF BATH, with a photograph of Gerald looking startled in his mother’s well-kept back garden. The crows crowded around him like a strange black council.

Then a national outlet picked it up. Then people began gathering beneath his window each morning, phones raised, waiting for the birds to arrive.

For the first time in his life, people wanted to speak to Gerald Coombe.

He found, to his quiet astonishment, that he liked it.

The trouble began slowly enough that no one could say exactly when it started.

A busker on Milsom Street returned from buying a coffee to find his guitar case empty — not merely light on coins, but stripped completely, down to the lining.

A trader at the Saturday antique market on Walcot Street reported that crows now arrived at precisely the moment she turned to serve a customer, as though they had been watching her for a pattern.

The donation box outside Bath Abbey was found forced open twice in a single week, coins gone, the wood scratched and split.

It was no longer scavenging. It had become something closer to planning.

It began with coins, as it always had. But one grey morning in November, a crow dropped a five-pound note onto Gerald’s doorstep, slightly torn at one corner, and within a fortnight notes had become entirely ordinary — fives, tens, once even a crumpled twenty, carried between two birds working together like a pair of removal men.

Then came the phones.

A woman on Milsom Street watched, helpless, as a crow lifted her mobile straight off the café table in front of her, screen still lit, and carried it away over the rooftops.

Nobody could quite say when the birds had learned to prise open an unattended till drawer, only that they now could — small black shapes working a catch with a patience that had nothing animal about it.

People started to notice that the birds worked in pairs.

One would swoop close to a shopkeeper’s face, shrieking and flapping, while a second slipped in behind and took whatever was within reach.

A woman standing by the weir was left shaken after three crows descended on her open handbag, one of them tugging at her sleeve while the others emptied her purse onto the pavement and carried the coins away between them.

It was no longer just coins, notes, and phones. The birds were reaching for anything that caught the light.

A woman queuing outside Bath Abbey felt a sharp tug at her ear and turned in time to see a crow lifting away with her earring still swinging from its beak.

A trader at the Walcot Street market lost an entire tray of second-hand rings before she had even finished setting up her stall.

The city’s mood shifted from delight to unease, and then, before long, to anger.

And the anger came looking for Gerald.

He was asked, repeatedly, to stop them.

Reporters who had once found him charming now used words like reckless and irresponsible. A council officer visited his home and used the word liable.

Gerald nodded along and said he would see what he could do.

He had no intention of doing anything of the kind.

Because Gerald Coombe — mocked on the bus, forgotten at The Bear, invisible for thirty years — had discovered something far more interesting than coins.

He had discovered that forty crows would do exactly what he wanted, and that this made him, for the first time in his life, a man other people were afraid of.

He stopped merely accepting what the birds brought him. He began, quietly, to suggest where they might look.

He noticed which shop on Milsom Street left its till drawer open during the Saturday rush.

He noticed the security van that stopped outside the bank on Broad Street every Friday afternoon, and how long the guard left the rear doors unattended while he signed for a delivery.

He began sketching small, careful notes in the back of his accounts book — not for his employer, but for himself.

Times. Routes. Weaknesses.

At night, standing at his window with a cup of tea, Gerald would look down at the crows lined along his mother’s perfect lawn, forty pairs of eyes catching the moonlight, and feel something he had never once felt in thirty years of quiet, correct, overlooked living.

He felt powerful.

On the second Saturday of December, at eleven minutes past nine in the morning, every collection box, till drawer, handbag and coat pocket left unattended in the centre of Bath was emptied within the same five minutes.

It happened on Milsom Street, where a queue of shoppers turned to find their bags open and their purses gone.

It happened at the Walcot Street market, where three traders lost their morning’s takings within sight of one another and could do nothing but watch.

It happened at Bath Abbey, where the donation box was later found prised open and swept entirely clean, and on Broad Street, where a bank clerk stepped away from his till for no more than a moment and returned to find it bare.

Phones vanished mid-call. A woman standing by the weir felt hers lifted from her hand as she photographed the water, and looked up in time to see it disappear over the rooftops, her own reflection still glowing faintly on the screen.

Nobody was hurt. Nothing was broken.

It was, several witnesses said afterwards, like watching a ballet — dozens of crows moving through the crowded streets with a precision that made the whole thing feel less like an accident of nature and more like something that had been planned, rehearsed, and timed.

By half past nine, the birds were gone, and the city centre stood in a strange, ankle-deep silence. People patting empty pockets, staring at one another, unable to explain what they had just watched happen.

Gerald Coombe heard about it before he saw any of it — sirens threading across the city, phones buzzing up and down the bus queue outside the corner shop, a neighbour repeating the word chaos into her mobile as though she couldn’t quite believe it.

By the time the birds came home to Bear Flat, dropping down one by one onto his mother’s garden wall, the story was already moving from doorway to doorway, bus stop to bus stop, all the way back from the Abbey.

Gerald stood at the back door with a cup of tea cooling in his hand, and said nothing to anyone.

By Monday, nobody in the city needed telling who was responsible.

Photographs of the crows gathered each morning on his mother’s garden wall had already travelled from doorsteps to front pages to the council chamber.

Nothing could be proven — not in any way that would hold up in a courtroom — but nothing needed to be.

That morning, as officials filed into the Guildhall for an emergency session, a single crow dropped down onto the top step in full view of the cameras already gathered outside.

It left a plain white envelope, addressed to no one in particular, and flew off before anyone thought to stop it.

Inside, in a neat, unhurried, accountant’s hand, was a single line: Saturday was only a demonstration.

There was no demand. No figure. No deadline.

Just the sentence — and beneath it, nothing at all, which unsettled the council rather more than any list of demands could have done.

Gerald did not attend the session, of course.

He had no need to.

Reading Comprehension Questions

1. Who is Gerald Coombe and what is his job?

2. Who does he live with, and where?

3. How do the schoolboys on the bus treat him?

4. What happened at The Bear that made Gerald never go back?

5. What does Gerald do every morning before work?

6. What does Gerald notice in the garden one wet Tuesday?

7. What does he do to help the injured bird?

8. What does Gerald name the crow, and why does he find it clever?

9. What does Penny bring Gerald for the first time, instead of food?

10. What items does Penny bring over the following days?

11. How long does it take Penny to understand the arrangement?

12. What does Penny begin bringing after the small objects?

13. How does Gerald react to receiving money from the crow?

14. What happens after Penny brings a friend?

15. How many crows are visiting within two months?

16. What headline does the Evening Chronicle publish about Gerald?

17. How does Gerald feel about the sudden public attention?

18. What happens to the busker’s guitar case on Milsom Street?

19. What does the trader at the Walcot Street market notice about the crows’ behaviour?

20. What happens to the donation box outside Bath Abbey?

21. What do the crows start bringing Gerald besides coins?

22. What are the crows eventually able to do to an unattended till drawer?

23. How do the birds work together to steal from people?

24. What happens to the woman standing by the weir?

25. What valuable items do the crows start taking, besides money?

26. How does the mood of the city change toward Gerald?

27. What words do reporters and the council officer start using to describe him?

28. Why does Gerald have no real intention of stopping the crows?

29. What does Gerald begin to do instead of just accepting what the birds bring him?

30. What does Gerald notice about the security van on Broad Street?

31. What does Gerald write in the back of his accounts book?

32. How does Gerald feel when he watches the crows from his window at night?

33. What happens at eleven minutes past nine on the second Saturday of December?

34. Name three places in Bath where the theft takes place that morning.

35. How do witnesses describe the way the crows moved?

36. How does Gerald find out about what happened, given that he lives in Bear Flat?

37. By Monday, does anyone in the city doubt who is responsible?

38. What does the crow deliver to the Guildhall steps?

39. What does the note say?

40. Why does the note unsettle the council more than a list of demands would?

41. Does Gerald attend the emergency session?

Essential Vocabulary

accountant

unremarkable

bedraggled

assessing

fortnight

astonishingly

curiosity

startled

scavenging

café

prise open

catch

swoop

shrieking

tugging

descended

queuing

unease

reckless

irresponsible

liable

sketching

weaknesses

overlooked

powerful

rehearsed

ankle-deep

chaos

unhurried

demonstration



Vocabulary Practice Exercise

Follow the steps below to help you learn and remember new words and phrases more effectively:

1. Write each new word or phrase in your vocabulary notebook.

2. Look up the meaning of each word in your dictionary. Write a clear and simple definition next to the word.

3. Create your own sentence using the word or phrase correctly. Try to make the sentence meaningful and connected to your own life or experiences.



Examples

Bedraggledwet, dirty, and untidy in appearance, often after being outside in bad weather.

Example sentence: The bedraggled cat crept in from the storm, soaked to the skin.

Uneasea feeling of anxiety or discomfort; a sense that something isn’t right.

Example sentence: A quiet unease spread through the office as the rumours began to circulate.



Why do this?

Doing this regularly will help you improve all areas of your English — reading, writing, speaking, and listening. By writing definitions and making your own examples, you are actively using the language, which helps it stick in your memory.

Discussion Questions

1. At the start of the story, Gerald is mocked and overlooked by almost everyone around him. Why do you think the writer spends so much time showing us this before the crows even appear?

2. Do you think Gerald’s transformation makes him a sympathetic character, a frightening one, or both? Why?

3. Gerald says very little throughout the story, even at moments of great tension. What effect does his silence have on the reader?

4. The crows escalate from coins, to notes, to phones, to jewellery. Why do you think the writer chose this particular order of escalation?

5. Do you think Gerald ever cared about Penny and the other crows for their own sake, or were they always a means to an end?

6. At what point in the story do you think Gerald crosses a moral line? Is there a single moment, or is it more gradual?

7. The story never explains exactly how Gerald “directs” the crows. Does this ambiguity make the story more or less effective?

8. Why do you think the writer chose an accountant as the main character, rather than another profession?

9. Gerald’s note to the council says only “Saturday was only a demonstration,” with no demand attached. What do you think he actually wants?

10. Do you think the people of Bath are right to be afraid of Gerald, or is their fear overblown?

11. The story ends without telling us what happens next. What do you imagine happens to Gerald? To the crows? To the city?

12. Do you think Gerald deserves any sympathy, given how he was treated before the crows arrived?

13. Is Gerald a villain, or is he simply someone who finally found a way to be noticed?

14. There have been reports of crows bringing small gifts to people who feed them. Does knowing the story has a basis in a real phenomenon change how you read it?

15. If you were a Bath city official reading Gerald’s note, how would you respond?

Ready to bring this story into your classroom?

Click here to download the full lesson plan.

Want more original stories, lesson plans, and teaching resources like this one sent straight to your inbox?

Join the ManWrites mailing list here.

Leave a Reply

Scroll to Top